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“I want Howard Eliot,” she cried, “he can sing so lovely, an’ I want Miss Gordon, she’s so comfortin’.” Another sound in a somewhat higher key was heard. Moses had simply modulated in his domestic symphony of labor from a major task to a minor one. As a change and refreshing recreation, Moses was allowed to turn the small wheat-mill. Ninety soul-stirring turns it required to empty the hopper once, and he must turn out enough flour for a batch of bread. His youthful soul was in revolt at such servitude. He had no sympathy to squander on the children of Israel in bondage vile. Making bricks for Pharoah was infantile amusement compared to his labor. Inside the church matters were beginning to resume a normal condition. But Mr. Wells still badly shaken and feeling unable to proceed announced, “My friends we will conclude our service with a hymn. Will some one suggest a suitable one.”.

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“Yes. And the fire worse. Why can’t you have a refugee?” Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. Jimmy had the trick ponies and the trained dogs. Teaching them was the chief joy of his life. What if there were only two ponies, and their spots were painted on? And what if the children had seen all the tricks over and over again? They were good as new each time. Besides, the ponies’ one brand-new trick, when at the crack of a whip they stood on their hind feet in unison, was so effective that it frightened May Nell. She saw it first in the barn; and when their shod hoofs came down she thought they would crash right through the floor. “Don’t, mother! Mother, don’t come in here! Don’t come in the same room with me,—I’m not fit for— O mother, I’ve hurt Jimmy for life!”.